Dear Mr. Maxwell

Thanks a lot!  I started reading your book
On Poetry – Oh, what I’ve been missing!
But I knew I should take a second look
after many years I had been dissing
the need to take my work more seriously –
you have many excellent things to say
and in a way not imperiously.

I must begin to look without delay,
following on my many disasters,
at forms employed by the artful masters
who knew what they were doing when they wrote.

Of Maxwell’s many lines in brief I’ll quote:
“Line break is all you’ve got” on the white page
to separate your poem from your prose –
the time, the beat, the rhythm of the stage.

A poet yet in time I’ll be, who knows?


Portland, Oregon – April 22, 2016

This wreck of a rhyming pentameter poem is “inspired” by beginning to read Glyn Maxwell’s book On Poetry published in 2012, Oberon Books. It’s a good choice to begin my more careful look at the meaning of poetry, how to read and write it.  I recommend it.  One problem is that, as I look at poetic forms and how poetry works, I’m more challenged in actually writing, worried that I’m not “getting the form” correct.  Well, there’s a balance thing I need to live with as I try to learn some things.

4 thoughts on “Dear Mr. Maxwell

  1. My husband was an English teacher (now retired) and our house has more than the average number of really good texts on writing poetry, all annotated by him with post-it notes throughout. They’re helpful. I agree it is hard to fit into form but it is a kind of discipline that can help refine. I’ve been playing the imitation game this week, picking a few poems and trying to figure out what makes them tick and then copying them. That’s my way of tackling form. Keep going, Tom.

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    • Does he have a text he would recommend above others? I’m not planning an exhaustive study, but another text or two would be good at this stage, as long as I don’t get paralyzed. And, thanks for the comment and your following!

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