If I Were to Build a Home

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If I were to build a home
on the banks of a river it would be
to see come at me
snowmelt surge from mountains
passing in turbulent cold depth
in wild rush over worn boulders
then watch as it goes, flows away
to the surf and sand of an oceans edge
losing itself in curling waves
breaking on sea stacks slow eroding
over a long beach where children run
unaware, with gleeful cries.
That is where my final home will be
built not by my own hands
but by the hands of another.


Portland, Oregon – April 27, 2017

Photo is my own, taken 12/28/16 – the McKenzie River, Oregon, late afternoon.

Two Trees

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Along the banks of the McKenzie
two trees stand over a cold Christmas flow
of rippled waters in thrilling rush.
One day the McKenzie will take them with her
but for now they remain, leafless in afternoon light,
stripped of but branch and bud by winter.

I came to see the river
yet what do I miss when I see
what I come to look upon?
This – beauty bare branches in a wind flown sky
flailing long arms in the breeze and water surges –
like young girls racing along a summer beach.


Portland, Oregon – January 4, 2017

Photo is my own, taken on December 27, 2016 above the McKenzie river, Oregon.

Here is the river:

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Oceti Sakowin

Rivers join, long flowing
in time and space within the land.
The buffalo plains a swept grace –
prairie grass flowing in eternal wind,
heads of grain lifted above the snowfall –
seven fires of unquenchable flame.

Oceti Sakowin

Oyate – born of the land – gather
in unmeasured time, passing
in cloud form, leaf quiver, snow fall
beneath forever stars,
burning sun strewn in layers
across their faces, raised hands
over life-giving streams
blossoming from the far hills
running where horses drink
sacred water of holy places.

Oceti Sakowin


Portland, Oregon – December 6, 2016

Like many, I have been moved by the actions of the water protectors at Standing Rock in North Dakota.  I believe it is an important, perhaps seminal action which will long be remembered.

Oceti Sakowin – The proper name for the people commonly known as the Sioux is Oceti Sakowin, (Och-et-eeshak-oh-win) meaning Seven Council Fires. The original Sioux tribe was made up of Seven Council Fires.  (Oceti Sakowin – Akta Lakota Museum & Cultural Center – aktalakota.stjo.org/site/News2?page=NewsArticle&id=8309)

Little River

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I went to Little River to see what he saw
fixed his lens upon, measuring the light
waiting for a precise moment
when the quiet river, at its end,
meets the roiling surf or placid calm
of ocean wave breaking on coastal shores;
the sun beginning to descend
over a far edge that no one can see
or be there on its horizon plane.

His day at Little River is fixed
forever in black and white
in the quiet drift of day’s ending.
Mine, a shifting gray swirl
of maritime mist in movement
concealing the near rock formations
pounded in surf, then revealed, thinly.

For years his image of Little River,
emptying itself into pacific reaches,
hung before me, beckoning
while I worked in bureaucracy tedium.
One day, I thought, I would go there
to the sea and Little River
having travelled my course
seen at last my way
to the place where Little River
lost itself in the whole
and the wholly beautiful.


Portland, Oregon – September, 2016

The header photograph is my cell phone photo of an Ansel Adams calendar print of “Grass, reeds, water – near Little River, Northern California, 1959.” I visited there not long ago and stood, I believe, in the approximate location where he must have taken his beautifully constructed photograph. The beach area has been trampled over by many and a concrete parking lot with RV’s looms nearby. But, Little River remains, quietly emptying itself from its sources into the Pacific ocean. I had hoped it would be more pristine, lost in some magical past. But, it sits directly beside the traffic of Highway 101 on the California coast, just south of Mendocino.

On the day we were there, the marine layer prevented the ancient view that Mr. Adams had, plus I sort of detracted from the view.  His photograph of Little River is my favorite among his many incredible photographs of Yosemite and the American west.

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Fire and Water

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My evening fire burns
slowly in a drizzling calm
waiting for a breath –

A silent forest
green breeze; bending river rush
glacial fed chill wind.

Behind, ceaseless sound
river coursing down and down
flowing, no effort

Pouring over rock
carrying away mountain
no need for my hand.

Quickens now my fire
a warm blaze rising at last
crackling in twilight

Keep I it a while
for the night is passing fast
soon will embers be

A little longer
how much longer I don’t know
the rain quickening.


Late June, 2016 – La Wis Wis campground, south of Tahoma National Park.

Photo is my own, taken from La Wis Wis campground.  The river is the Ohanapecosh flowing from the glaciers of Tahoma.)

Good Land

Living on borrowed land
tilting in decline plane
to Columbia river current
strong, pushing to the sea,
meeting in turbulent confluence
moon tides, surf, susurrus,
setting sun of America
dying light of a dream.

What shall I tell them
who come upon this land
of what I did or said
when the land washed away
to the river and the sea
when the sun sets on them?

I will tell them
of my garden and my plans
that also washed away
down the northwest slope
into Columbia’s roll
splashing frolic into the great ocean.


May 2016

Inspired by Wendell Berry – The Gift of Good Land

“To live, we must daily break the body and shed the blood of creation.  When we do this knowingly, lovingly, skillfully, reverently, it is a sacrament.  When we do it ignorantly, greedily, clumsily, destructively, it is a desecration. In such desecration we condemn ourselves to spiritual and moral loneliness, and others to want.” (p. 181, North Point Press edition)

Tahoma – White River Morning

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Morning fire at White River camp.

Tahoma’s face in glacial ice
blooms over the still camping ground –
a volcanic flower rising
above the valley, in cedar
blanketed, in fir, spruce, hemlock;
it opens in ridged fields of ice,
as petals in colors of snow
unfolding on drowsing campers
who wake in frigid morning slate,
yawning beneath the evergreens
as first light through the dawn filters.

Awake, awake! Time waits for you.
Blow your mortal breath on these sticks
until hesitant flames quicken
into the life and warmth you seek.

White River’s silted grit and seethe
hidden in shadows of cold dawn
rushes in crumbling rock and scrub.
In her rumbling and scurried flow
she waits for none who stir their fires;
spreads herself over valley floor
gathering gravel, stones, boulders
into thunking cacophony
telling of time and its passing
to the Salish sea and beyond.

Awake, awake! Time will not wait
for you to blow on your morning fire.
A path leads across the river
to the high country camping ground.


Portland, Oregon – April 28, 2016

“Tahoma” is one of the native tribal names for what is commonly called Mt. Rainier (Washington state -USA). “Ti’Swaq” is the name chosen by the Alliance to Restore Native Names. It means “the sky wiper” because it touches the sky.

The photo of Tahoma and the White River valley is my own, taken from White River campground on a late summer day.

Ode to Cascadia

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If I say, as the title of my site indicates, that I write in Cascadia, I must be sure I understand what that means.  I must want to be defined by a place so beautiful, but for what reason?  Why not say, simply, “Tom Writes” and let it be done with?  Is my own beauty, such as it is, not sufficient for the task – the creative and necessary task of my days?  I suppose it is justification enough to say that, as a writer, I require a muse. Cascadia is a stirring muse; she is a breathtaking representative of all the muses of my life – person, place, or word.  Let me then be old-fashioned and offer an Ode to Cascadia.


I looked down from a high tower
into your valleys, your mountain green meadows
wildflowers all abloom in abandon
and saw there my own self
wandering, infinitesimal, on a trail below.
A path wandered by the black bear,
by the ancestors who called the mountain home
named it, Ti’Sqaq – Who touches the sky.
The rivers and salmon were their friends –
the grandmothers and grandfathers
I cannot claim as my own.

I saw you walking there below the broken cloud layer
underneath the great trees
wide, so that you could not put your arms around them;
tall, so that you could scarce see their fringed tops –
they dwarfed your skinny frame.
You stopped beside a stream of fresh flowing water,
rock strewn freshets of clear and cold companionship-
splashed your face, dipped your hat,
sat to consume your meal.
You watched the stream rush past you,
knew it was on its way to the sea
but could not hear that distant roar –
crashing waves, billows curled, flung in windblown rain.
There the stream was lost
having found its way at last
to the place where you also were going.


Portland, Oregon – February 18, 2016

To see a picture of the tower I refer to, please see the photo, above.  To see a photo of the valley that forms the inspiration for this piece, please see my About page.  The trail is visible on that page.  You cannot, however, see me down there.

The flag in the upper right is the proposed emblem of Cascadia.
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Spirit Reconsidered

Is there a Spirit –
a path through a dark and folded landscape
a wanderer in front, another behind
one to lead, one to be our rear guard?

I’ve failed in imagining Spirit
that damn dove –
ill-conceived white radiance and wing.
Where, the grim-reaper of a Spirit
who knows what has gone before
what is to come
without platitudes deceptive, tangential,
or words, shouts, running, or flying?
Spirit – girding presence of longing
of desire held, released, remembered;
guide through the veil of life
into a deep and dark river
that carries away all the stones, old bones –
take my hand and lead me where thou wilt
O holy, dark, sublime, careful Spirit.


Seattle, Washington – October 2014