Year End at Neahkahnie

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Under the low arch of the winter sun
we sit on the edge of the year
on the continent’s shoreline fringe
watching wave surges on the headlands
scrying, to read the signs of the times,
to foretell what is to come.

We cast our vision over a gray Pacific
into its depths, out to its tumbling reaches
as a fisherman heaves a line,
to catch what may come from the sea.

Storms hide in the blurred horizon
monsters rise out of the blue.
Sirens cry from billowing mists
as surging swells roll through our dreams
perilous breakers crash onto our lighted shores.

The year brims over its rim urged on
by profound deep vaults of time.
It pours as from a font down and down
bearing faultless light in trailing veils
with streaming banners and twirling ribbons.
The speckled year slips over its blue edge
into sunsets’ serene and golden bowl.


Manzanita, Oregon – December 31, 2017.  Photo taken 12/30/2017 northwest to Neahkahnie mountain.  In the Tillamook tribal language, Neahkahnie means “place of the Creator.”  (https://oregonencyclopedia.org/articles/neahkahnie_mountain/#.WkfwAZVy7X4

Finisterre

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Land’s end Pacific rim sun’s dip
over curling wave thrash.
Onshore cold evening breeze
with birds aflutter, chasing
through bent shore pines.

Thrash, curl, chase, bend –
as dreams I have had
waking on a washed horizon
scratched by wave plumes
thrown up as sheets on a line
falling into the golden surf,


Yachats, Oregon – Pentecost, June 4, 2017

Photo is my own, north of Yachats, Oregon, June 2, 2017.

If I Were to Build a Home

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If I were to build a home
on the banks of a river it would be
to see come at me
snowmelt surge from mountains
passing in turbulent cold depth
in wild rush over worn boulders
then watch as it goes, flows away
to the surf and sand of an oceans edge
losing itself in curling waves
breaking on sea stacks slow eroding
over a long beach where children run
unaware, with gleeful cries.
That is where my final home will be
built not by my own hands
but by the hands of another.


Portland, Oregon – April 27, 2017

Photo is my own, taken 12/28/16 – the McKenzie River, Oregon, late afternoon.

Little River

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I went to Little River to see what he saw
fixed his lens upon, measuring the light
waiting for a precise moment
when the quiet river, at its end,
meets the roiling surf or placid calm
of ocean wave breaking on coastal shores;
the sun beginning to descend
over a far edge that no one can see
or be there on its horizon plane.

His day at Little River is fixed
forever in black and white
in the quiet drift of day’s ending.
Mine, a shifting gray swirl
of maritime mist in movement
concealing the near rock formations
pounded in surf, then revealed, thinly.

For years his image of Little River,
emptying itself into pacific reaches,
hung before me, beckoning
while I worked in bureaucracy tedium.
One day, I thought, I would go there
to the sea and Little River
having travelled my course
seen at last my way
to the place where Little River
lost itself in the whole
and the wholly beautiful.


Portland, Oregon – September, 2016

The header photograph is my cell phone photo of an Ansel Adams calendar print of “Grass, reeds, water – near Little River, Northern California, 1959.” I visited there not long ago and stood, I believe, in the approximate location where he must have taken his beautifully constructed photograph. The beach area has been trampled over by many and a concrete parking lot with RV’s looms nearby. But, Little River remains, quietly emptying itself from its sources into the Pacific ocean. I had hoped it would be more pristine, lost in some magical past. But, it sits directly beside the traffic of Highway 101 on the California coast, just south of Mendocino.

On the day we were there, the marine layer prevented the ancient view that Mr. Adams had, plus I sort of detracted from the view.  His photograph of Little River is my favorite among his many incredible photographs of Yosemite and the American west.

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Seal Rock Morning

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I know what is out there –
the ocean and its profound depth
pounding in waves against headlands
rolling in swells beyond horizons.

This morning an enveloping gray
shrouds the deathless reaches –
waves press upon the shore,
white billow sprays follow
perfect curls of falling water shattering
as blue crystal on crystalline fine grains of sand;
beyond, the slow rise and fall of deep water
tidal motion in moon drift.

What is faith if not remembering
brilliant blue beneath an azure sky?
More than this.  Nothing without this –
the implacable gray veil
masking infinite swells,
blue in the colored world
gray on an oceanside morning
black in the deep night sky.


Central Oregon Coast – August 20, 2016

Photo is my own, taken August 20, 2016 over Seal Rock beach, Oregon.

Good Land

Living on borrowed land
tilting in decline plane
to Columbia river current
strong, pushing to the sea,
meeting in turbulent confluence
moon tides, surf, susurrus,
setting sun of America
dying light of a dream.

What shall I tell them
who come upon this land
of what I did or said
when the land washed away
to the river and the sea
when the sun sets on them?

I will tell them
of my garden and my plans
that also washed away
down the northwest slope
into Columbia’s roll
splashing frolic into the great ocean.


May 2016

Inspired by Wendell Berry – The Gift of Good Land

“To live, we must daily break the body and shed the blood of creation.  When we do this knowingly, lovingly, skillfully, reverently, it is a sacrament.  When we do it ignorantly, greedily, clumsily, destructively, it is a desecration. In such desecration we condemn ourselves to spiritual and moral loneliness, and others to want.” (p. 181, North Point Press edition)