Day’s End

Each day is an end –
a sun’s set or moon’s fall
over the horizon’s hidden edge.
It was always that way,
always that way.
We will go over our own horizon
one day, our dazzling sun
aflame in the tapestry of heaven –
that twinkling star far away
from someone watching out there.

This day’s end will be a winter sun
setting over the windy Oregon coast –
ocean gobbling up the flames,
rain cooling the waters.
The moon will wander
between clouds and the night
to mark the end of another day.


Portland, Oregon – January 1, 2020

Sentient World

I sit outdoors in every weather
letting come, inside or out, what comes.
Today it is steady rain and chill.
I take cover in the garage
sitting on a camp chair
before the open door.
I see down the long drive
the last oak leaves hanging on
in the face of December
soon to fall to winter’s floor.

Out in Cascadia’s realm I am
being drawn into the phenomenal world
scented in the calm and quiet of natural life –
wild and mysterious in sensual appeal.

Wool cap and down jacket, warm boots,
fingerless gloves for work –
finger tips getting cold now.
The steady rain turns to a slow drizzle
as my thoughts slow and still.
I hear whispers out there, seekers
searching for listeners.
The sentient world
trying to tell me something.

Here I am.


Portland, Oregon – December 7, 2019

Year End at Neahkahnie

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Under the low arch of the winter sun
we sit on the edge of the year
on the continent’s shoreline fringe
watching wave surges on the headlands
scrying, to read the signs of the times,
to foretell what is to come.

We cast our vision over a gray Pacific
into its depths, out to its tumbling reaches
as a fisherman heaves a line,
to catch what may come from the sea.

Storms hide in the blurred horizon
monsters rise out of the blue.
Sirens cry from billowing mists
as surging swells roll through our dreams
perilous breakers crash onto our lighted shores.

The year brims over its rim urged on
by profound deep vaults of time.
It pours as from a font down and down
bearing faultless light in trailing veils
with streaming banners and twirling ribbons.
The speckled year slips over its blue edge
into sunsets’ serene and golden bowl.


Manzanita, Oregon – December 31, 2017.  Photo taken 12/30/2017 northwest to Neahkahnie mountain.  In the Tillamook tribal language, Neahkahnie means “place of the Creator.”  (https://oregonencyclopedia.org/articles/neahkahnie_mountain/#.WkfwAZVy7X4

Ashes

Ashes fall lightly from an orange sky
pretty ashes in tints of dead gray
black and white ashes from deep forests
and time tendrils curling into darkness –
blown as gritty fleck and smudged scrape
through the screen, onto the windowsill,
my face, the thin needles of the front yard pine.
They are scorched ash bit remnants
flung by heated wind as memories of life
on evergreen slopes and their ravines-
until wildfire snatched them in flames
and sent them to us, memento mori,
as grit for sweeping from our shining surfaces.
Ashes.  Ashes from the orange sun and moon
brushing over our human lives, burning us,
as fire blooms and ash clouds billows.


Portland, Oregon – September 6, 2017

The Eagle Creek wildfire, as I write, is devouring forested lands of the Columbia river gorge east of Portland.  Ashes have been falling for days now.  It has rained, here in Portland, only .7″ over the summer.  This is only one of hundreds of fires blooming in the American west.  This one, however, hits home, literally.  That always makes a difference.

Finisterre

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Land’s end Pacific rim sun’s dip
over curling wave thrash.
Onshore cold evening breeze
with birds aflutter, chasing
through bent shore pines.

Thrash, curl, chase, bend –
as dreams I have had
waking on a washed horizon
scratched by wave plumes
thrown up as sheets on a line
falling into the golden surf,


Yachats, Oregon – Pentecost, June 4, 2017

Photo is my own, north of Yachats, Oregon, June 2, 2017.

Hoh

Hoh 4 - 2015

Board the ferry in Seattle, cross the water
between glass and steel, loading docks big cranes
early morning darkness hum of engine churned waves –
moon to port in thin layers of flitting night cloud.
Roll off slow, uphill curve to the Hood Canal bridge
steel spine gray in pixelated light over dark water.
Hot coffee smell weaving through evergreen forests
on up to Sequim, dry in the shadow of Olympic peaks.

Leaving Port Angeles is leaving the known world.
America fades into the rear view mirror
as dawn rises slowly over the Cascade rim
light flowing soft on the Strait and foothills
a cleansing pour of shine filtered through a green haze
as the road courses past rocky beaches, dark groves.
Morning settles in along Highway 101
driving in trickling shadows up to Crescent lake.

Moving in the realm of the Salish sea
rising and falling in tidal movement
shaping the coves and borders of the land.
Mists and lifting fog shift in a whirling pavane
in the cool and drip of summers morning
along the pathway of the westering Sol Duc
before crossing the Calawah entering Forks –
chatter of the Thriftway and a fresh cup to go.

In southerly drift along the continents ragged edge –
the Bogachiel bridge curves in graceful arc
through a valley in the gaze of snow covered heights.
Broken land along the way, timber land
timbered tracts of slash heaps and forlorn stumps
to the tops of the once green sylvan hills
scattered through the scarred river plains
washed in snow melt and falling rain through all the hills.

America’s lost corner – of Makah, Quinault –
north by northwest, where the dream ends
in washed coves, lone beach head promontories
open to the sea beyond the reach of forests
deep in dark fir and fern entanglement
home of Sasquatch, big foot, rumored, unseen
pillaging the thoughts of dwellers in primal space
dripping under eves of moss laden leaky roofs.

Out of nowhere an eastward turn, metanoia,
as a pale sun brushes the shifting cloud cover
branch shadowing the road up the river valley
tracing its course under an arching evergreen
losing time by the minutes and the hours
moving senses slowly towards consciousness
of space in primeval and verdant infancy
efflorescent, fresh, bathed in effulgence.

This last road leads in a slow meander
up into the coastal rainforest of the Hoh –
rare earth in a fragile and disquieted land
where silence lives and in the night, darkness.
In evening camp I sit by the rush of river
sipping whiskey beneath fir and hemlock,
old before I was born or my fathers
before my mothers lived, conceived and bore.

I’ll hike the river trail in the morning
surrounded by soft beds of thick moss, green
if green is green of a thousand different shades
up in the trees, moss to the high branches
vying with ferns for space, feelers probing
forming intricacies of water, light, shadow –
patterns of life in deep, terra, mute abundance –
another spore, nurse log, fungus, another time.

Rain drizzle sifts through a dense canopy
hovering over rivulets floating
clear across sand and pebble speckled beds,
fallen surface leaves held and spun.
Black bear and antlered elk roam in these woods
foraging unseen around each turn of the trail.
Bear bell jingling, walking sticks on the path
I wander for miles in sensual bliss.


Portland, Oregon – April 1, 2017

Photo is my own – the base of a Bigleaf maple beside the Hoh river trail. One of the photos I use as a rotating  site header is also of the Hoh river and valley during a light rain.

Concentric Circles of Life

Round – the ageless and infinite womb
where from stars spun, worlds emerged,
when forms of light and dark came dripping
wet with blood and the waters of birth.

Birthed, blue-green cloud enshrouded
eons of grass growth and sea flow
millennia in pursuit of thought and love
beyond what creation requires.

Blessed land, sea to shining sea,
buffalo grounds, salmon rivers, first peoples –
stolen, ravaged without mercy
justice silent in the sacred fields.

Winter in Cascadia’s volcanic heart
beaten by Pacific ocean surge and tide;
lulled in the whisper winds of desert
lost but to those who hear its voice.

City in steel glass gridded paved and numbered
bleeding into rivers, Columbia and Willamette –
names without meaning for waters
emptying into the one ocean of life.

Sticks and stones on bare ground
space for holding human life rhythms
awestruck lives moving under a vast canopy –
stars in the night sky, luminous days of glory.

My wife – lovely in age and grace –
sharing sacred ground, soft wet skies
years flinging us about, dropping us here
from places we once knew – memories.

Grandchild coming to be a young woman
growing before adoring family eyes –
giving her this world, making it safe for her
before she sets out upon its seven seas.

My own orbit spinning about
in the garden, among the words
often lost, forgetting the names
walking about, looking around.

God.  Somewhere, in faith desired –
angel whose face we cannot see
spirit hovering close, unknown
immanent, like soft breathing, near.


Portland, Oregon – January 26, 2017

Good Land

Living on borrowed land
tilting in decline plane
to Columbia river current
strong, pushing to the sea,
meeting in turbulent confluence
moon tides, surf, susurrus,
setting sun of America
dying light of a dream.

What shall I tell them
who come upon this land
of what I did or said
when the land washed away
to the river and the sea
when the sun sets on them?

I will tell them
of my garden and my plans
that also washed away
down the northwest slope
into Columbia’s roll
splashing frolic into the great ocean.


May 2016

Inspired by Wendell Berry – The Gift of Good Land

“To live, we must daily break the body and shed the blood of creation.  When we do this knowingly, lovingly, skillfully, reverently, it is a sacrament.  When we do it ignorantly, greedily, clumsily, destructively, it is a desecration. In such desecration we condemn ourselves to spiritual and moral loneliness, and others to want.” (p. 181, North Point Press edition)

Tahoma – White River Morning

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Morning fire at White River camp.

Tahoma’s face in glacial ice
blooms over the still camping ground –
a volcanic flower rising
above the valley, in cedar
blanketed, in fir, spruce, hemlock;
it opens in ridged fields of ice,
as petals in colors of snow
unfolding on drowsing campers
who wake in frigid morning slate,
yawning beneath the evergreens
as first light through the dawn filters.

Awake, awake! Time waits for you.
Blow your mortal breath on these sticks
until hesitant flames quicken
into the life and warmth you seek.

White River’s silted grit and seethe
hidden in shadows of cold dawn
rushes in crumbling rock and scrub.
In her rumbling and scurried flow
she waits for none who stir their fires;
spreads herself over valley floor
gathering gravel, stones, boulders
into thunking cacophony
telling of time and its passing
to the Salish sea and beyond.

Awake, awake! Time will not wait
for you to blow on your morning fire.
A path leads across the river
to the high country camping ground.


Portland, Oregon – April 28, 2016

“Tahoma” is one of the native tribal names for what is commonly called Mt. Rainier (Washington state -USA). “Ti’Swaq” is the name chosen by the Alliance to Restore Native Names. It means “the sky wiper” because it touches the sky.

The photo of Tahoma and the White River valley is my own, taken from White River campground on a late summer day.

Ode to Cascadia

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If I say, as the title of my site indicates, that I write in Cascadia, I must be sure I understand what that means.  I must want to be defined by a place so beautiful, but for what reason?  Why not say, simply, “Tom Writes” and let it be done with?  Is my own beauty, such as it is, not sufficient for the task – the creative and necessary task of my days?  I suppose it is justification enough to say that, as a writer, I require a muse. Cascadia is a stirring muse; she is a breathtaking representative of all the muses of my life – person, place, or word.  Let me then be old-fashioned and offer an Ode to Cascadia.


I looked down from a high tower
into your valleys, your mountain green meadows
wildflowers all abloom in abandon
and saw there my own self
wandering, infinitesimal, on a trail below.
A path wandered by the black bear,
by the ancestors who called the mountain home
named it, Ti’Sqaq – Who touches the sky.
The rivers and salmon were their friends –
the grandmothers and grandfathers
I cannot claim as my own.

I saw you walking there below the broken cloud layer
underneath the great trees
wide, so that you could not put your arms around them;
tall, so that you could scarce see their fringed tops –
they dwarfed your skinny frame.
You stopped beside a stream of fresh flowing water,
rock strewn freshets of clear and cold companionship-
splashed your face, dipped your hat,
sat to consume your meal.
You watched the stream rush past you,
knew it was on its way to the sea
but could not hear that distant roar –
crashing waves, billows curled, flung in windblown rain.
There the stream was lost
having found its way at last
to the place where you also were going.


Portland, Oregon – February 18, 2016

To see a picture of the tower I refer to, please see the photo, above.  To see a photo of the valley that forms the inspiration for this piece, please see my About page.  The trail is visible on that page.  You cannot, however, see me down there.

The flag in the upper right is the proposed emblem of Cascadia.
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